Hannah Knox transforms jumpers, fur coats, and slogan tees into meticulous oil paintings that feel like portraits of the people who wore them. Her close-cropped compositions focus on collars, zips, and pleats, rendered with such precision that the linen becomes indistinguishable from real cloth. Each piece holds a story of desire, status, or memory without a body in sight.

Knox’s practice draws from her upbringing surrounded by fashion and a career that included prop-making on James Cameron’s Titanic. She builds her paintings in layers, wrestling with detail and restraint. The result is a tense, hyperreal aesthetic that invites viewers to read the invisible lives embedded in everyday garments.