LA-based glass artist Ben Tuna gives burned-out Porsches a second life by fitting their rusted shells with salvaged church stained glass. The cars become hollow vessels where hand-cut glass panels replace windows, catching light and transforming wreckage into ceremonial objects. Tuna leaves damage visible, letting the tension between industry and craft speak.

Recent works also incorporate thin agate slices from Southwest deserts, shifting from ecclesiastical to geological tones. Each piece carries history—both the car's and the glass's—creating a quiet encounter with loss and material beauty. Tuna's work stands out for its respectful handling of ruin and its unexpected fusion of automotive design with traditional stained-glass techniques.