Monica Piloni's sculptures slice the human figure into strange, honest fragments. Hollow faces, reversed limbs, and doll-like effigies blur the line between self and object. Working in fiberglass, resin, wood, and leather, she gives flesh a material weight that feels both familiar and alien. The body is not idealized but dissected, revealing a raw psychological tension that lingers long after viewing.

Piloni abandoned live models to cast only herself, turning the practice inward. What emerges is a catalog of anxieties and desires, where classical materials meet contemporary unease. Her work doesn't offer comfort; instead it asks viewers to sit with the disconcerting reality of inhabiting a body. For creators, it's a masterclass in material experimentation and the power of personal subject matter.