Adam Lin's Sonder series wraps documentary photography in a painterly haze, with cyanotype-tinged margins that soften everyday gestures. His portraits of male relatives in Taiwan and London feel like private glimpses, capturing quiet moments—boys hiding in closets, families sharing fruit—with a tenderness that challenges rigid masculine norms.

Moving between cultures and genders, Lin turns personal history into universal reflection. As a queer child among many male cousins, he understood the gap between expected and felt intimacies. His photographs bridge that divide, inviting viewers into a space where vulnerability is strength and belonging is always in-between.