Jessie Andrews’ 'Lost in Air' immerses viewers in the restless energy of Hong Kong, following a withdrawn young man chasing helium highs. The film’s surreal, fetishistic imagery turns a chance meeting into a meditation on longing, identity, and the fragile bridge between illusion and reality.

Shot with a cinematic eye, the vignette contrasts neon streets with intimate, dreamlike moments. Andrews frames escapism as both seductive and hollow, leaving Teo suspended between desire and confrontation. The result is a visually lush, emotionally charged piece that lingers long after the final frame.